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The Sentimental Swordsman (1977)
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Director
- Chu Yuan (Chor Yuen)
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DVD
Released by : Celestial Pictures |
Player
reviewed with :Citizen JDVD 3820
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Receiver reviewed with
: N/A |
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Features: |
Cantonese/Mandarin Dolby Digital
5.1 Soundtrack |
English, Chinese, Bahasa
Malaysia, and Bahasa Indonesia Subtitles |
Enhanced for 16 x 9
TVs |
New Trailer |
Other Releases, Movie Stills,
Original Poster, Production Notes, Biography and Filmography |
Running Time : 96
mins. |
Region 3 |
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Li Xunhuan (Ti Lung) has returned to
China after living beyond the borders for the last ten years. The reason?
Rumours of the reappearance of the Plum Blossom Bandit, a powerful villain
who brought calamity to the Martial World and who escaped his grasp ten
years ago. That and his unending love for his cousin, lady Lin Shi Yin
(Yu An-an) whom he had forsaken (you guessed it) ten years before has
also prompted his homecoming.
After a fortuitous meeting with the brash
swordsman Ah Fei (Derek Yee), Xunhuan and his servant rest at a local
inn. There the Golden Lion escort agency is attacked by the Black White
Snake brothers. The escorts are quickly dispatched, however before the
brothers can claim a mysterious package as their prize, Xunhuan and Ah
Fei step in. During the scuffle the package is stolen by a stranger, and
soon Xunhuan and Ah Fei are being hunted by an ever growing band of colourful
pursuers, regardless of whether they have the package or not.
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So begins Chu Yuan's adaptation of the
Sentimental Swordsman from Gu Long's celebrated novel (sometimes known
as Little Li's Flying Dagger, the Chinese title of the popular 70s'TVB
serial). A problem with the film is that it attempts to keep too much
of the book's story at the expense of it characterization. Nor is the
McGuffin that advances the plot particularly interesting. The mysterious
package is revealed early on to be an invincible Gold Threaded Vest, but
we never find out where it's from, where it was supposed to go, or how
it even ties in with the Plum Flower Bandit. And what about the pink clad
Bandit? Think less scary and more comical. The mystery of the Bandit's
true identity is constructed less like a whodunit and more like a nonsensical
conspiracy.
Part of the blame lies with Gu Long's contrived plot twists.
For example Xunhuan's back-story is so unconvincing (to repay his best
friend for saving his life, Xunhuan gives up his official position, his
family home, fortune, true love and exiles himself for ten years) that
other characters question the logic of it! The only real departure from
the book is the ending's forced and obvious revelation that tries to wrap
everything up, rather than the original's cliffhanger. And if the heavy
handed foreshadowing didn't give it all way, the casting alone would.
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Without any real drama or character development,
it is up to the actors' performances to keep the audience interested.
Ti Lung is charismatic as Xunhuan, but inconsistent in his portrayal.
Xunhuan is supposedly ill from his inexplicably tragic past, but aside
from the occasional cough he isn't all that sick (he kicks ass just fine)
or all that sad. Derek Yee is excellent as Ah Fei, young and naïve,
but absolutely intense as a deadly swordsman. If you pay attention, you
will even notice that he fights not with a sword, but merely a blunt metal
rod. Ching Li is the only actress with a substantial role, and is credible
as Lin Xianer, the calculating beauty, but Yu An-an as lady Lin Shi Yin
is little more than decoration, although her one scene with Ti Lung manages
to demonstrate some of the unspoken love the two share.
The action, composed of fancy swordplay and superhuman leaps
fits squarely in the wuxia genre. There are a number of battles sprinkled
all the way through the film and most are choreographed quite enjoyable,
if unmemorable. The only stand out match is between Ah Fei and Mr. Iron
Flute, effectively played by Norman Chu. Both are cold blooded killers
and how the two measure each other is dramatic and character defining.
Unfortunately although they do have a rematch, the plot leaves their battle
unresolved. There is almost no hand fighting in the film and what little
there is isn't very good. One cinematic addition that is not in the novel
is Xunhuan's fan. It's used to display his title and motto which is cheesy,
but it's also used to conceal multiple knives and cover his legendary
swift hand. Although it is a knock-off of other fan-wielding heroes, it's
a neat little touch and demonstrates how Xunhuan can kill so many at once.
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The film won best cinematography
at the 15th Golden Horse Awards 1978 and although it has the lush studio
set-ups and art direction Chu Yuan is famous for, one new wrinkle may have
been the location shots used throughout, which was rare for a Shaw production.
The problem though is that the exterior and interior shots don't match very
well. For example the title sequence cuts between Xunhuan and Ah Fei marching
separately on their snow-covered paths which are about to cross, but when
the credits end, it cuts to a staged outdoor set where Xunhuan narrates
the plot over a campfire and then cuts back Ah Fei and him meeting on the
snowy path. It's not a big deal, but it is jarring to those who notice. |
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While the film may have won an
award for its look, this DVD release sure won't. While the print has been
digitally restored and cleaned and interiors all look fine, exterior location
shots look terrible. Not only do they not match, but there is a significant
amount of grain and even video noise and distortion. Most of the Shaw DVDs
I have seen have exhibited strong colours and for the most part good contrast,
but here the colours are muted and the contrast is too high all the way
through. Portions of the film look well lit, but this only highlights how
off the contrast is as detail is lost in the over abundance of darker scenes.
Celestial's demanding release schedule (films are restored on a four day
cycle versus Hollywood restorations that could take up to two years) could
be the culprit for this disappointing anamorphic presentation. |
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The disc offers both Cantonese
and Mandarin 5.1 soundtracks. Both are dubbed, but were made in the late
70s when Cantonese was only just beginning to take over the Hong Kong market.
Mandarin seems to match mouth movements a bit closer, but music and effects
are mixed lower than on the Cantonese track and the sound is tinnier. Dialogue
is clear on both, but is mixed more evenly with the sound design in Cantonese.
Again the music is adequate, if forgettable and all the effects are from
the Shaw library. |
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English subtitles are a little
uneven with no serious gaffs, but sometimes the literal translation can
be misleading, (i.e. worthless instead of priceless) and small details are
lost. On screen actor names are not subtitled, but is not a major concern.
The standard set of Celestial extras with only a new trailer
in Mandarin, not even the original. Biographies are informative and the
rest is of mild interest. I don't usually mention the Production Notes
which are also printed on the back of the box, but the reference to the
'Oedipus-complex' hero is absolutely ludicrous and indicates just how
shameful the attention and care or lack thereof shown towards these films
is sometimes.
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Despite many flaws, the film is still entertaining enough
to watch. In comparison it is better than Death Duel, but lacks the fun
of Clans of Intrigue or Legend of the Bat (also starring Ti Lung as a
Gu Long rogue). Although the Sentimental Swordsman was quite a big hit
and is well regarded, Chu Yuan has done better. In prior interviews he
mentioned how he had begun to tire of adapting Gu Long martial art novels
and this one shows it. Those who are new to their cinematic collaborations
will find more to enjoy, but long time fans will most likely find it repetitious
and predictable. Good, but not a classic.
-Leon Ho
Reviewed 02/15/2003
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